The Reflection of Female Culture and Regional Culture in Joseph Conrad s Novels from the Perspective of Post-colonialism

Authors

  • Rui Yang

Keywords:

post-colonialism, Intersections, Multicultural, Heart of Darkness, Multicultural integration

Abstract

This study explores the representation of female culture and regional culture in Joseph Conrad's novels through the lens of post-colonialism. By critically analyzing Conrad's portrayal of women and the depiction of various regional cultures, the research aims to uncover the underlying colonial attitudes and cultural dynamics in this research works. Employing a post-colonial theoretical framework, the study delves into novels such as "Heart of Darkness," "Lord Jim," and "Nostromo" to identify themes of gender and cultural identity. The findings reveal Conrad's complex and often contradictory stance towards female characters and colonized regions, reflecting both colonial biases and a nuanced understanding of cultural intersections. This dual perspective highlights the tensions and ambiguities inherent in colonial literature. The research has been contributed to a deeper understanding of Conrad's narrative strategies and the broader implications of his work in the context of post-colonial discourse. It also offers insights into the ways in which literature can both challenge and perpetuate cultural stereotypes and colonial ideologies.

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Published

2024-06-27

How to Cite

Rui Yang. (2024). The Reflection of Female Culture and Regional Culture in Joseph Conrad s Novels from the Perspective of Post-colonialism. Onomázein, (64 (2024): June), 235–245. Retrieved from http://www.onomazein.com/index.php/onom/article/view/713

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Section

Articles